Finding archetypes where none exist: another mutilation of Game of Thrones

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Any discussion of the women of Game of Thrones that fails to mention Septa Mordane is wrong. Just plain old wrong.

I’m about to geek out on Game of Thrones again, fair warning. I will limit my discussion, as best I can, to the television show up to this point, but beware of spoilers.

Over on Huffington Post, Ann Marie Rasmussen decided to blow her nose on her keyboard and call it commentary on female archetypes in the Game of Thrones series. It is the sort of reasoned analysis that makes you suspect that she had never heard of the show, let alone the books, until a couple of hours before her deadline, and that she spent at least an hour of that time eating a sandwich.

She does an appreciable job of shoehorning some of the show’s female characters into some prefabricated fiction archetypes, although none of them quite seem like traditional “fantasy” archetypes: the Tomboy, the Princess, the Seductress, the Self-Made Woman, and the Good Wife. Wha?

Let’s start with the “Tomboy,” Arya Stark, or as Rasmussen calls her, “the little daughter with a boy’s haircut.” It is actually entirely incidental to Arya’s persona that she has a boy’s haircut. Yoren cut her hair so that the Lannisters wouldn’t find and decapitate her. Not very archetypal, I dare say. Arya’s tomboyishness is not so much an important part of the story as the trials she has to endure to survive. At any rate, Arya is not the bone I have to pick with Rasmussen. Let’s move on to Sansa Stark.

tumblr_ma7k6vbVw41qzjnu8Sansa, of course, is the “Princess” archetype, but it is Rasmussen’s description of her that wakes my dragon: “Sansa Stark, sister to the Tomboy, is not too bright and is often punished for her vapid and romantic delusions.” No, just no. Yes, Sansa begins the series as the spoiled, petulant mean girl of the Stark family, but that just makes her struggle more tragic. She grew up believing in the tales of gallant knights and beautiful princesses, and the prospect of becoming queen was dangled right in front of her. Not only must she now endure beatings from the very knights she thought would protect her, but she had to watch as her prince ordered the execution of her father right in front of her. She is not being punished for being vapid. She is being punished by a psychopath with no checks on his power. She is not stupid. She is a survivor. She may be annoying to watch, but it is that veneer of helplessness that is keeping her alive. Do not mess with Sansa.

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